Ian Astbury Review of 'Spirit/Light/Speed', the new album (out July 2000) from Ian Astbury, the front man from The Cult. http://www.musicomh.com/albums/ian-astbury.htm

The Cult Homepage Complete fan page: discography, tour dates, tabs and lyrics. http://www.coastnet.com/~jtaylor/cult.html

The-Cult.com Unofficial site for The Cult with discography, rarities, news, and photos. http://www.the-cult.com/

Taokow's Love Removal Machine Tribute to The Cult. http://taokow.tripod.com

Kevpa's Lyrics and Stuff - the Cult Lyrics Listed by album and by title; also includes pictures. http://kevpa.topcities.com/thecult.html

The Cult Collector's guide offering information on releases from 1983 onwards. http://users.castel.nl/~bleem02

Electric Southern California based tribute band. Features concert dates and sound files. http://www.theelectric.org/

Love Electric Phoenix based tribute band. Features show dates, photos, and news. http://www.loveelectric.com/

PopMatters - The Cult Overview of the band's career and reviews of their albums. http://popmatters.com/music/reviews/c/cult-pure.html

Southern Death Cult Early 80s post punk/goth rock band. Before the Cult, there was the Southern Death Cult. http://www.deathrock.com/southerndeathcult

Beggar's Banquet: The Cult From the band's UK label, featuring a mail-order only release. http://www.beggars.com/artists/catalogue/cult/index.htm

The Cult Homepage Includes discography, tour dates, tablature, and lyrics. http://www.cultcentral.com/

Amazon offers Sonic Temple (Audio CD),07 March, 2000 List price $15.98 Over the top hard rock. / 3 In the late '80s, the Cult appeared poised to conquer the world. With producer Rick Rubin, they stripped bare their sound of excess production and recorded a raw, blues-based rock record (in "Electric"). For its followup, the band kept the hard rock, but eschewed Rubin's minimalist approach in favor of over-the-top arrangements. The resulting album-- "Sonic Temple"-- is significantly different from its predecessor, but like "Electric", it has a deciding lack of consistency, when it's good, it's great, but unfortunately, it misses as much as it hits. And certainly looking at the first two tracks, it's not hard to see both sides of this. Both "Sun King" and "Fire Woman" feature mellower introductions recalling the gothic-tinged psychedelia of "Love", but both quickly move into extended riff-based rock performances. The critical difference between the two appears to be singer Ian Astbury-- on the former, he sounds almost lazy and minimally uninspired, with a lack of energy and conviction behind the vocal, on the latter, he's downright vicious-- aggressive, powerful and assertive, full of swagger and attitude. And the difference makes "Sun King" pretty forgettable and "Fire Woman" extraordinary. "Sonic Temple" does hit now and again-- single "Edie (Ciao Baby)" hearkens back to the band's old days-- clean tone, processed guitars, a passionate solo and a superb vocal delivery from Astbury. "New York City" is something totally bizarre-- blues based rock meets punk meets an almost stride feel, and while Astbury seems a bit unengaged with the bombastic "Sweet Soul Sister", it's such a fine slice of hard rock that even his somewhat flakiness on the performance can't take it down a notch. But for each of these, there's something soaked in too many overdubs ("American Horse"), a bit too light songwriting ("Automatic Blues") or in desperate need of editing (the over seven minutes "Soul Asylum"-- there's a fantastic four minute song in there...). It is inconsistent, but like "Electric", "Sonic Temple" has enough great material on it that it's a worthwhile purchase.

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