Rock Music Artists
Massive Attack  

Artist & Band information for:rock music | Massive Attack | rock n roll



The Official Unofficial Massive Attack Page
Biography, news, lyrics and links.
http://massive.9ug.com/
Massive Attack Refuge
Lyrics, a complete discography, and MP3 files.
http://web.tiscali.it/ma_refuge/
Massive Attack Live
All about live exhibitions and tours.
http://www.xs4all.nl/~reno/massive/core.html
Three Point Nine Percent
Official Site. Rather good actually.
http://www.vmg.co.uk/massive/
Red Lines
Your complete online Resource for the Massive.
http://www.avalanche.i12.com/Massive/massive.htm
Massive Online
News, audio, releases and links
http://www.geocities.com/massive_online/massiveattack.html
Launch: Massive Attack
Biography, discography, videos, reviews, news, interviews, and links.
http://launch.yahoo.com/artist/default.asp?artistID=1017219
Massive Attack Club
Massive Attack chat room, messages, news, photos, and links.
http://groups.yahoo.com/group/massiveattackgroup/
RollingStone.com: Massive Attack
Includes a biography, discography, photos, articles, links and message board.
http://www.rollingstone.com/artists/default.asp?oid=977
Union Jack's Massive Attack Homepage
Biography, Lyrics, Live concerts and Links
http://www.geocities.com/sunsetstrip/mezzanine/9713/
Dissolved Page
Includes biography, discography, sound files and other downloads.
http://www.dissolved.tmfweb.nl/
Amazon offers Collected (Audio CD),04 April, 2006
rock music |  Massive Attack  | rock n roll List price $18.98
Either way, win or lose... / 5
Although Massive Attack only released four albums in fifteen years, their musical ideas were usually ahead of their time, and set the tone for a lot of electronic music in the nineties. For instance, if you like Gorillaz, this compilation is really the blueprint for their fusion of rock, rap, and techno, as well as their use of different collaborators from album to album. Except Massive Attack were less flashy and more downbeat, and they drew just as heavily from soul and reggae as they did from those styles.

"Safe From Harm" embodies everything that they were trying to do. It has a powerful soul vocal at the centre, and contrasts it with repetitive, gravelly-voiced rapping from one of the band members. In the hands of Massive Attack, rap was very rhythmic and often fast, but never aggressive. They used it as just another way to set a mood. In this case, and in most other cases, the mood was one of impending doom. The ominous rapping suggested that danger was just around the corner, and the main vocal attempted to add a sense of lost innocence in the middle of this danger. Oh, and the song also has an incredible techno bassline, which made it popular in the clubs for a time. This combination of sounds may not sound revolutionary now, but this song alone basically created a style known as "trip-hop." It was also ripped off by just about everyone in the next six years. Even Bjork jumped on the bandwagon in her song "Army Of Me."

Massive Attack had a great talent for reinterpreting the past. Early on, they sent a demo tape to Horace Andy, a reggae singer who had already had a long and illustrious career in his native Jamaica by that point. The man offered to collaborate with them, and went on to do so on every one of the band's albums. Usually, he covered such reggae standards as John Holt's "Man Next Door" and his own "Spying Glass," but Massive Attack gave these songs totally new sounds, emphasizing the unease expressed in the lyrics with their moody production. Unfortunately, neither "Man Next Door" nor my own personal favourite "One Love" is included on this CD, but "Angel" is. This is one of the band's best songs. It starts with a slow, creeping bass line and a dreamy vocal introduction from Andy, but then suddenly breaks out into a crescendo of driving, distorted guitars sounding reminiscent of the Cure or the Sisters of Mercy, only heavier, more rhythmic and more powerful.

The band could make uplifting tracks too, once in a while, like "Unfinished Sympathy" from their first album, or "Teardrop" from their third, but they were more at home with dark, slow rhythms and lonely, romantic atmospheres. Even "Teardrop" sounds lost and vulnerable, due to a superb performance by Elizabeth Fraser, who had by then already received a lot of praise from critics for her singing in the indie band Cocteau Twins. The black flowers on the cover of this album are a good indication of the band's aesthetic. The song "Blue Lines" from their first album, in which the band members took turns rapping, with impeccable rhythm, has precisely that kind of yearning, rainy-day mood. Unfortunately it's not included here. However, "Risingson," a bitter variation on the theme of failed love, is probably the best vocal performance by the band's core members, and it is included.

As time went on, Massive Attack gravitated toward the more dissonant, rock-influenced sound of "Angel." Since the theme and feel of their music was basically the same as before, this wasn't really that big of a change, but it did lead to increasing creative differences within the band. By the time their fourth album came out, three of the four founding members had left. As a result, the album seemed like a bit of a retread, and wasn't very well received by critics. This compilation may be an attempt to repair the band's image and put the spotlight on their best work again. As you may have gathered, a lot of good songs are missing, and even the bonus disc in the limited edition doesn't have all of their B-sides. If it were up to me, I would have added a few more album tracks and left off some of the singles. Actually, when I was starting to write this, I wanted to say something like, "Massive Attack were ultimately a singles band," and as I was writing that I realized that it wasn't really true.

But anyway, the album is still very good, and it ends with a sign that the band may not be finished yet. "Live With Me" is the token new song on the compilation, but it's not only a good song, it's their best song ever. Once again, the band calls in a veteran soul singer, Terry Callier this time, to lament about another failed love against a backdrop of strings and slow beats, but never has this combination sounded as good as it does here. Except now everybody is that much older, so instead of professing undying love, the song implores its subject, "Come live with me."

Song "Spying Glass"
Horace Andy

Spy at thy neighbor
Spying glass

You live in the city
You stay by yourself
You a-find all weakness
Still some people they brand you ya
Just because you are rasta
You move to the country
You live in the hills
You a-find all company
When you check it them-a use spying glass
They want to know all your business

Spy at thy neighbor
Spying glass
Spy at thy neighbor

You live in the city
You mind your own business
What you see you don't see
But some people they always see
They never mind their own business
You move to the country
You live in the hills
You think you're far from the weak
When you check it them-a use spying glass
They want to know rasta business

Spying Glass!
Spying Glass!
Yeah


Monsters At Play : Massive Attack : Mezzanine (1998) Review
Monsters at Play Music provides honest, objective and insightful reviews of popular music with unique observations on which songs should be removed from a ...
http://music.monstersatplay.com/review/cd/mezzanine.php
Massive Attack: Mezzanine: Pitchfork Review
[Virgin; 1998] Rating: 8.1 - Review by: Brent DiCrescenzo.
http://www.pitchforkmedia.com/record-reviews/m/massive-attack/mezzanine.shtml
Yahoo! News Search Results for band "Massive Attack"

The man from 'Atlantis' (New York Daily News)
k-os"Atlantis" (Virgin)
Zev (Creative Loafing Atlanta)
Stylist at Dobel Salon and Spa in Buckhead... By Scott Henry.
Patton Peeps In (POLLSTAR)
Peeping Tom , the latest project from Mike Patton, has lined up its first tour, a month-long spring trek culminating in a slot at the Coachella Valley Music & Arts Festival . Patton, who originally gained fame as Faith No More's frontman, will take the new band on the road starting March 30 at the Granada Theater in Dallas, Texas.
Making Gomez go (New York Daily News)
Most bands count themselves lucky to claim one solid singer or one distinctive songwriter.

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